Mavis Gallant’s “Paola and Renata” (1965)

2017-11-21T15:27:35-05:00

The widow has let her hair go. It is half mahogany and half dull grey. Not only grey, but dull grey. Paola and Renata's listening that summer One has the sense that being a widow might have brought this about. The simple act of inhabiting widowhood. But that

Mavis Gallant’s “Paola and Renata” (1965)2017-11-21T15:27:35-05:00

Mavis Gallant’s “The Cost of Living”

2020-05-21T15:57:47-04:00

It begins in darkness. South side of the Luxembourg Gardens "Louise, my sister, talked to Sylvie Laval for the first time on the stairs of our hotel on a winter afternoon. At five o’clock the skylight over the stairway and the blank, black windows on each of the

Mavis Gallant’s “The Cost of Living”2020-05-21T15:57:47-04:00

Jane Hamilton’s The Excellent Lombards (2016)

2017-05-18T06:23:26-04:00

Excerpt from my reading journal: Having read all of Jane Hamilton's novels, and having waited since 2009 for another, I was pretty psyched for The Excellent Lombards. Grand Central Publishing, 2016 My favourites were The Short History of a Prince and The Book of Ruth, which I read

Jane Hamilton’s The Excellent Lombards (2016)2017-05-18T06:23:26-04:00

Helen Oyeyemi’s The Icarus Girl (2005)

2016-04-22T08:33:57-04:00

Jessamy is eight years old. When readers meet her, she is in a closet. She doesn't mind readers knowing, but she is hesitant to admit it to her mother, who has believed her to be outside. This is but the tip of the iceberg which comprises Jessamy's interior truth, and

Helen Oyeyemi’s The Icarus Girl (2005)2016-04-22T08:33:57-04:00

Austin Clarke’s The Meeting Point (1967)

2015-10-06T10:02:44-04:00

The first volume of his Toronto trilogy introduces readers to Bernice Leach, who has left Barbados to work in Toronto as a housekeeper in an upscale neighbourhood in the 1960s. She has left behind a son and his father, as well as a mother and a sister, and she is

Austin Clarke’s The Meeting Point (1967)2015-10-06T10:02:44-04:00
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