Miriam Toews’ All My Puny Sorrows (2014)

2014-10-07T15:10:00-04:00

Excerpt from Reading Journal: Knopf Canada, 2014 Last night I finished reading All My Puny Sorrows, and when I woke up this morning, I was weeping. This doesn’t reveal how the book ended, because I read more than half of it last night, half-skimming the first half that

Miriam Toews’ All My Puny Sorrows (2014)2014-10-07T15:10:00-04:00

Tamai Kobayashi’s Prairie Ostrich (2014)

2014-09-02T16:49:08-04:00

You might be tempted to call eight-year-old Egg Murakami enchanting or winsome. Even plucky or spirited. Goose Lane Editions, 2014 Each of these terms does reflect Egg in some sense. But such descriptions suggest something young-Oprah-heroine-esque about her. Egg’s character is too fully rounded to simply select the

Tamai Kobayashi’s Prairie Ostrich (2014)2014-09-02T16:49:08-04:00

Christene A. Browne’s Two Women (2013)

2014-06-26T14:48:19-04:00

The cover of Christene A. Browne's Two Women pulled me back to a literary pilgrimage I made to Regent Park, in Toronto, after I read Rabindranath Maharaj's The Amazing Absorbing Boy. But Regent Park is not so much a character in this novel as the women themselves. Though, which two

Christene A. Browne’s Two Women (2013)2014-06-26T14:48:19-04:00

Hannah Kent’s Burial Rites (2013)

2014-06-26T14:34:44-04:00

Who is Agnes? Little, Brown and Company, 2013 "Criminal. The word hangs in the air. Heavy, unmoved by the bluster of the wind. I want to shake my head. That word does not belong to me, I want to say. It doesn’t fit me or who I am.

Hannah Kent’s Burial Rites (2013)2014-06-26T14:34:44-04:00

Two Chilling Reads: The Dark and Secrecy

2014-05-13T15:03:24-04:00

Rupert Thomson's Secrecy is suffused with deliciously disturbing images and scenes. A thin, dark ribbon of sky. Bared teeth with clumps of hair. A dead bird that dangles from a girl’s first like a flower needing water. A snake skin shed in a doorway. A secret passage. A stabbed countess. A

Two Chilling Reads: The Dark and Secrecy2014-05-13T15:03:24-04:00
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