Mavis Gallant’s “By the Sea” (1988)

2019-10-23T15:35:51-05:00

“No one is either fully good or fully bad in a Gallant story; her characters are more interesting than that, Gallant is neither a moralist nor a polemicist,” explains Jane Urquhart in the introduction to the Penguin paperback edition of this 1988 collection of stories. In the opening story,

Mavis Gallant’s “By the Sea” (1988)2019-10-23T15:35:51-05:00

Quarterly Stories: Autumn 2019

2019-09-24T12:56:16-05:00

Kaplan, McKay, Puntí, Rosenfarb and Shapton Short Stories in July, August, and September Whether in a dedicated collection or a magazine, these stories capture a variety of reading moods. This quarter, I returned to two favourite writers and also explored three new-to-me story writers.

Quarterly Stories: Autumn 20192019-09-24T12:56:16-05:00

Quarterly Stories: Summer 2017

2019-03-21T15:03:23-05:00

Besides Lori McNulty's Life on Mars and Mavis Gallant's stories, I've been dabbling in some other collections this year too. Edwidge Danticat's Krik? Krak! (1996) Drawn from a number of literary magazines and publications (including 1994's Pushcart Prize collection), these tales were gathered together to satisfy the readers who yearned

Quarterly Stories: Summer 20172019-03-21T15:03:23-05:00

Mavis Gallant’s “Señor Pinedo”

2017-03-26T13:02:21-05:00

Set in a Madrid pension, after the Spanish Civil War, "Señor Pinedo" has an ensemble cast. But, like many of the other tales in this colleciton, the story is told in the first person, from the perspective of a young woman who shares a wall with the Pinedo family. Imagining

Mavis Gallant’s “Señor Pinedo”2017-03-26T13:02:21-05:00
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