Rereading Cat’s Eye while rereading Rosemary Sullivan’s biography of Margaret Atwood emphasized the parallels between the narrator’s and author’s childhoods. I was a teenager when I read Cat’s Eye for the first time; I would have had no idea that Elaine’s childhood of lakes and insects was Peggy’s childhood
Seth launched his own comic book, Palookaville, in 1991. That’s where readers first met the Matchcard brothers. The 2019 Drawn & Quarterly volume includes these earlier stories (distinguishable by stylistic variations) and substantially expands this family’s story. The brothers’ relationship is defined by their respective relationships with the family
I’m even more likely to pick up dark and disturbing stories when the sun is beating down. This stems to my “discovery” of Stephen King in a teenaged summer, beginning with Night Shift and Skeleton Crew. There I was: lying on my back in the grass behind the rented
Aleichem, Gallant, Gardam, Keret, and Mutonji Short Stories in January, February and March Whether in a borrowed collection or from my own shelves, these stories capture a variety of reading moods. This quarter, I returned to two favourite writers and also explored three new-to-me story writers.
Along the way, I’ve missed only one of David Bezmozgis’ books. The last novel of his I read was The Free World and, reading through the quotations I saved from that reading, I was struck by how many older passages resonate with this new collection. Here is one which