Marion Poschmann’s The Pine Islands (2017; Trans. Jen Calleja 2020)

2020-09-29T17:31:26-05:00

Marion Poschmann’s The Pine Islands (2017; Trans. Jen Calleja 2020) was shortlisted for the International Booker Prize in 2019. The jury describes it like this: “A quirky, unpredictable and darkly comic confrontation with mortality.” Her first book was published in Germany in 2002 and, since, her work has been

Marion Poschmann’s The Pine Islands (2017; Trans. Jen Calleja 2020)2020-09-29T17:31:26-05:00

Dreams and Nightmares: the Long and Short of It

2020-03-11T17:04:18-05:00

Yesterday, I chatted about one of my favourites from this year’s Giller Prize longlist. Tomorrow, I’ll be chatting about the most talked-about from this year’s longlist, Margaret Atwood’s The Testaments, as part of #MARM Margaret Atwood Reading Month. So, today, the other books on the longlist, the ones I

Dreams and Nightmares: the Long and Short of It2020-03-11T17:04:18-05:00

Mazo de la Roche’s Finch’s Fortune (1955)

2018-07-26T14:27:45-05:00

“With her book, her roses and her cake she was separated from the other members of the family in a kind of frosty seclusion.” Alayne’s frosty seclusion doesn’t sound all that bad, does it? But the point is that Alayne feels her separateness. And that's not always comfortable. Nor

Mazo de la Roche’s Finch’s Fortune (1955)2018-07-26T14:27:45-05:00

Quarterly Stories: Spring 2018

2018-06-14T13:55:39-05:00

Endicott, Manto, King, Bruneau and Lispector Short Stories in January, February and March Whether in a dedicated collection or a magazine, these stories capture a variety of reading moods. This quarter, I returned to two favourite writers and also explored three new-to-me story writers.

Quarterly Stories: Spring 20182018-06-14T13:55:39-05:00

Sigal Samuel’s The Mystics of Mile End (2015)

2020-08-19T08:28:35-05:00

There are five windows on the cover of Sigal Samuel's debut novel; in only one of them does a pair of people appear. Freehand Books, 2015 In three of the windows there is a solitary silhouette, and in the window at the top, the blind is nearly pulled to

Sigal Samuel’s The Mystics of Mile End (2015)2020-08-19T08:28:35-05:00
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