Samar Yazbek’s A Woman in the Crossfire: Diaries of the Syrian Revolution (2012) #ReadtheChange

2020-04-13T16:24:43-04:00

Some days I picked up Samar Yazbek’s A Woman in the Crossfire, to read only two pages, and set it aside. Other days I picked it up and forced myself to read a certain number of sections (being that it’s a diary). Afterwards, whether a couple of pages or

Samar Yazbek’s A Woman in the Crossfire: Diaries of the Syrian Revolution (2012) #ReadtheChange2020-04-13T16:24:43-04:00

Mavis Gallant’s “The Statues Taken Down” (1965)

2019-12-24T08:18:22-05:00

Readers never meet her directly, but we are told that she looks like the Holbein portrait of Lady Barker. (Here shown in such a way that it’s easy to imagine a wallet photo.) This is the mother of Hal and Dorothy. Once George Crawley’s wife. On the surface, this

Mavis Gallant’s “The Statues Taken Down” (1965)2019-12-24T08:18:22-05:00

Shadow Giller: Steven Price’s Lampedusa (2019)

2021-01-19T12:46:48-05:00

There is a line in Steven Price’s 2016 novel, By Gaslight, which seems to suit his new novel generally: “Everything is about the dead.” And another which seems even more appropriate: “The truth that is found in a story is a different kind of truth, but it is not

Shadow Giller: Steven Price’s Lampedusa (2019)2021-01-19T12:46:48-05:00

Khanh Ha’s Mrs. Rossi’s Dream (2019)

2019-06-03T12:08:56-04:00

Khanh Ha’s third novel, Mrs. Rossi’s Dream (The Permanent Press, 2019) is an ideal companion to Flesh (2012) and The Demon Who Peddled Longing (2014). The reader’s guide is Lê Giang: the story begins and ends with him, in 1987, when he is living in a coastal town in the

Khanh Ha’s Mrs. Rossi’s Dream (2019)2019-06-03T12:08:56-04:00
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