Such a Lovely Little War: A Memoir

2017-09-14T13:06:34+00:00

A child's experience of war is strangely pure and slanted. The impact is wholly dramatic at times. Its inconsequence just as overwhelming at other times. Sharing his experiences growing up in a French-Vietnamese family in Saigon, between 1961 and 1963, Marcelino Truong's graphic memoir is vibrant and informative. Some

Such a Lovely Little War: A Memoir 2017-09-14T13:06:34+00:00

Jesmyn Ward’s Sing, Unburied, Sing (2017)

2017-09-07T17:04:14+00:00

The dead fuel Jesmyn Ward's novels. She feels the weight of their stories; she shoulders them, shares them. In Sing, Unburied, Sing, their chorus of voices - even in the epigraphs but also in the novel - reverberates between and beyond the covers. Ward's are heart-shattering stories. But they

Jesmyn Ward’s Sing, Unburied, Sing (2017) 2017-09-07T17:04:14+00:00

Chinese Girls: In Fiction, In Photos

2017-05-18T10:09:14+00:00

Bette Bao Lord's In the Year of the Boar and Jackie Robinson (1984) opens when Bandit is living in China in her grandparents' home. She is ten years old (nine in Western birthdays) and she is about to learn that she will be going to live in the United States.

Chinese Girls: In Fiction, In Photos 2017-05-18T10:09:14+00:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation

2017-07-24T14:32:10+00:00

This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation 2017-07-24T14:32:10+00:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation

2017-07-24T14:32:18+00:00

This is the second of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds in

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation 2017-07-24T14:32:18+00:00