Louise Doughty’s Whatever You Love London: Faber & Faber, 2010 (Looking for a swallow rather than a full glass? ORANGE Squirt below.) Readers fall hard into Louise Doughty’s sixth novel. The emotional intensity in Whatever You Love is pervasive: even when the root of that intensity is character rather than
Lola Shoneyin’s The Secret Lives of Baba Segi’s Wives Harper Collins, 2010 (Looking for a swallow rather than a full glass? ORANGE Squirt below.) Countless contemporary novels have taken the landscape of the monogamous marriage and its secrets as their subject, so it’s hardly surprising that a polygamous marriage, like
Nicole Krauss’ Great House W.W. Norton & Company, 2010 (Looking for a swallow rather than a full glass? ORANGE Squirt below.) Readers Wanted: Must be comfortable travelling between Oxford, London, New York, Jerusalem, Nuremberg and Santiago. Must be well-versed in a variety of artistic forms or naturally curious about works
Kathleen Winter's Annabel House of Anansi, 2010 (Looking for a swallow rather than a full glass? ORANGE Squirt below.) Like Margaret Atwood’s Surfacing and Kate Grenville’s The Secret River, it’s impossible to imagine Kathleen Winter’s Annabel being set anywhere other than the landscape therein. “In Croyden Harbour human life came
Karen Russell’s Swamplandia! Alfred A. Knopf, 2011. (Looking for a swallow rather than a full glass? ORANGE Squirt below.) Loving an excerpt as much as I loved “The Dredgeman’s Revelation” brings a sense of trepidation alongside excitement when approaching the longer work. Would Swamplandia! leave me with the same pressing desire
