Tamai Kobayashi’s Prairie Ostrich (2014)

2014-09-02T16:49:08-04:00

You might be tempted to call eight-year-old Egg Murakami enchanting or winsome. Even plucky or spirited. Goose Lane Editions, 2014 Each of these terms does reflect Egg in some sense. But such descriptions suggest something young-Oprah-heroine-esque about her. Egg’s character is too fully rounded to simply select the

Tamai Kobayashi’s Prairie Ostrich (2014)2014-09-02T16:49:08-04:00

Shani Mootoo’s Moving Forward Sideways Like a Crab (2014)

2026-03-05T10:28:49-05:00

Shani Mootoo sidles up to her story. Random House Canada, 2014 A novel like Padma Viswanathan’s The Ever After of Ashwin Rao is more openly preoccupied with questions of grief and loss. One like Shyam Selvadurai’s The Hungry Ghosts explores family relationships and the passage of time in

Shani Mootoo’s Moving Forward Sideways Like a Crab (2014)2026-03-05T10:28:49-05:00

Padma Viswanathan’s The Ever After of Ashwin Rao (2014)

2014-09-15T11:34:23-04:00

The dedication to Padma Viswanathan's second novel: For the lost, and for the living. Random House of Canada, 2014 Therein, the reader haa a clue, for The Ever After of Ashwin Rao is equally preoccupied with losing and living. The novel opens in 2004, on the precipice of the trial which

Padma Viswanathan’s The Ever After of Ashwin Rao (2014)2014-09-15T11:34:23-04:00

Richard Wagamese’s Medicine Walk (2014)

2019-05-11T19:56:20-04:00

One might say that Medicine Walk is a novel about the disconnect between a father and a son. McClelland & Stewart, 2014 “Eldon Starlight. Franklin Starlight. Four blunt syllables conjuring nothing. When he appeared the kid would watch him and whisper his name under his breath, waiting for

Richard Wagamese’s Medicine Walk (2014)2019-05-11T19:56:20-04:00

Sean Michaels’ Us Conductors (2014)

2015-03-22T12:00:48-04:00

Sean Michaels’ prose invites readers to participate in the relationship between sound and shape through the simple but beautiful language of Us Conductors. Random House of Canada, 2014 His images are simple and fresh, and they are momentarily disorienting – as beautiful things can be. “I didn’t laugh

Sean Michaels’ Us Conductors (2014)2015-03-22T12:00:48-04:00
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