For ReadIndies this year, hosted by Kaggsy, I’ve written about presses from Minneapolis Minnesota, during the democratic crisis unfolding in the United States: Graywolf Press | Coffee House Press | Rain Taxi Magazine. (I should have included Milkweed Editions there!) Presses that push the boundaries and invite readers to
Perhaps independent presses are most vital in their willingness to confront, to engage with ideas and possibilities that make readers uncomfortable. Consider Mélikah Abdelmoumen’s book about reading James Baldwin and William Styron, which opens with this epigraph from Raoul Peck’s J’étouffe: “Forgive me in advance,
At the beginning of the past eight Novembers, I have thought how long a month is, when you’re thinking about a single author over the course of 30 days; at the end of each of those Novembers, I have thought how short it is, this time we have together.
In the first week of rereading, I mentioned that what I remembered of my first reading was that it was fast and seemingly steady; I had forgotten all the different types of narratives (the newspaper articles and the excerpts from Laura’s novel) and remembered only Iris. One reason for
It’s been a quiet week for MARMers, with the rush of Week One behind us and the seemingly possibility-soaked remaining weeks in November awaiting, although Andrew has posted about Cat’s Eye (1988). He also included two early MARM links at the end, so you can also read about Bill’s
