Think there's nothing in common between this year's Giller Prize winner and Mélanie Watt's Scaredy Squirrel series? Take this quote from Lynn Coady's Hellgoing: "You can only be vigilant, she thought, about a few things at a time. Otherwise it’s not vigilance anymore. It starts to be more like panic."
An engrossing story, a compelling narrative voice: Three Souls is an easy book to recommend. Because of the setting and romantic elements of the story, it's tempting to draw comparisons with the novels of Amy Tan and Ai Mi. Given the readability, one might think of Sue Monk Kidd's The
Setting Mary Swan's novella The Deep alongside her recent novel My Ghosts, the blues in their covers are rich and varied. The cover of one features statuary, a feminine form, opaque but graceful; the cover of the other showcases a butterfly, luminescent and fragile. They seem to intertwine. And one
Reading Craig Davidson's Cataract City took me somewhere else. You might think, if you have heard something of the novel, that I am about to say Niagara Falls. But as much as the novel is about two boys' coming-of-age in this environs, it is a study of how 'what-came-before' morphs and
From Lisa Moore's Caught: "He would not betray the innermost thing. He didn’t know exactly what the innermost thing was, except it hadn’t been touched in four years of incarceration. Come and get me. They couldn’t get him. It fluttered in and out of view, the innermost thing, consequential and
