"There’s no backstitching in stories. Nothing can be locked in place." So says a character in Studio Saint-Ex, but readers of Ania Szado's second novel might disagree; she seems to have no trouble locking a good story in place. She began where all good stories begin, with a fascination. In
Twenty-two years ago, I clipped an article from a Toronto newspaper about the restoration of Sainte-Marie among the Hurons near Midland, Ontario. I had studied the history of the mission and the slaughter of the Jesuit priests when I was in elementary school, culminating in a vague understanding of it
In her work as a journalist, Sara Wheeler has often inhabited “borderlands of turbulence and uncertainty”, and travelled into dangerous territory. Readers familiar with Catherine Bush's earlier novels might recall Arcadia from Rules of Engagement, her fascination with war and violence, and the question that haunts her: “What would you be willing
When the angels invaded the plotline of "Supernatural", I stopped watching weekly. I prefer stone rabbits and hedgehogs in my flowerbeds, over white winged statues. And when a girlfriend told me that the child she lost at full-term is an angel now, I struggled to keep my face expressionless, silently repeating
Readers familiar with Michael Winter's fiction will immediately recognize the contrast between stark prose and emotional intensity; in the gap between, the reader resides. For it's not as though Henry Hayward does not feel, but it's as though he has raised a hand to protect himself from the heat of
