Quarterly Stories: Winter 2019

2020-03-11T13:47:16-05:00

Borra, Gallant, Gospodinov, Rogers and Tomine Short Stories in October, November and December Whether in a dedicated collection or a magazine, these stories capture a variety of reading moods. This quarter, I returned to a favourite writer and also explored four new-to-me story writers. (I've read

Quarterly Stories: Winter 20192020-03-11T13:47:16-05:00

What Makes Families Tick

2019-03-17T17:28:36-05:00

The family stories in contemporary CanLit are not all that different from the stories and novels read by my grandmother’s generation. The women in my family did not read obsessively, no, but regularly, yes. What else was there to do in the evenings when your favourite show was in reruns

What Makes Families Tick2019-03-17T17:28:36-05:00

The Trickster Story Eden Robinson Had To Write

2017-10-06T09:57:19-05:00

If you've glanced at the union regulations for Native writers, you'd have seen this one coming: Eden Robinson explains that it's a requirement. "It’s also a union regulation as a Native writer that you have to write a Trickster story at least once." (This is from an interview by

The Trickster Story Eden Robinson Had To Write2017-10-06T09:57:19-05:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation

2017-07-24T14:32:10-05:00

This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation2017-07-24T14:32:10-05:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation

2017-07-24T14:32:18-05:00

This is the second of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds in

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation2017-07-24T14:32:18-05:00
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