The Trickster Story Eden Robinson Had To Write

2021-05-28T15:31:36-04:00

If you've glanced at the union regulations for Native writers, you'd have seen this one coming: Eden Robinson explains that it's a requirement. "It’s also a union regulation as a Native writer that you have to write a Trickster story at least once." (This is from an interview by

The Trickster Story Eden Robinson Had To Write2021-05-28T15:31:36-04:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation

2017-07-24T14:32:10-04:00

This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation2017-07-24T14:32:10-04:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation

2017-07-24T14:32:18-04:00

This is the second of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds in

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation2017-07-24T14:32:18-04:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): First Variation

2017-07-24T14:32:26-04:00

This will be the first of three posts spiralling around notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds

Madeleine Thien’s Do Not Say We Have Nothing (2016): First Variation2017-07-24T14:32:26-04:00

“Wasn’t my life supposed to be rock and roll?”

2016-07-31T12:23:08-04:00

Rockstar or not, Nicola Harwood's Flight Instructions for the Commitment Impaired is a bold and absorbing memoir. At times her style is plain and functional, at other times it is poetic and intricate - even captivating, her voice consistently displayed centre-stage. Caitlin Press, 2016 "No such thing as one true love,

“Wasn’t my life supposed to be rock and roll?”2016-07-31T12:23:08-04:00
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