Here and Elsewhere: Copenhagen

2020-06-02T07:36:48-04:00

It’s easy to allow one’s world to get smaller, when one is overwhelmed by some of the sadness and struggle in this world; the opposite is also true, that it’s easy to expand your world under the same set of circumstances. A random spark, like this desk calendar by

Here and Elsewhere: Copenhagen2020-06-02T07:36:48-04:00

August 2019, In My Bookbag

2019-09-20T17:02:12-04:00

In which there is talk of the slim stories which have travelled with me within the city. While bulkier volumes stayed home. Like Robertson Davies' Murther and Walking Spirits (1991). And Nazanine Hozar's Aria (2019). These are awkward travelling companions: thick and heavy But some of the skinnies in

August 2019, In My Bookbag2019-09-20T17:02:12-04:00

Mavis Gallant’s “Larry”

2019-07-02T15:21:35-04:00

“I saw Maggie about a year ago. She says she’s leaving everything to an arts foundation,” says Maggie’s half-brother, Larry. He’s talking to his father. Who was married, at one time, to Maggie’s mother. Larry’s father remains nameless, the Elder Pugh. Just as he “has no real age”

Mavis Gallant’s “Larry”2019-07-02T15:21:35-04:00

Mavis Gallant’s “Luc and His Father” (1982)

2019-06-19T16:10:55-04:00

Imagine a ribbon. Pinch a loop of it between your index finger and thumb. The small piece you grasp is where the story begins and ends, while in between recounting “the year of shocks”. We meet the Clairvoie family when son Luc has failed his course of study. Spectacularly

Mavis Gallant’s “Luc and His Father” (1982)2019-06-19T16:10:55-04:00

Mavis Gallant’s “Voices Lost in Snow” (1976)

2019-04-09T12:16:49-04:00

You might remember that, back when we met Linnet Muir, four stories ago, she explained her particular kind of aloneness. unsplash-logoCris DiNoto This story travels back in time further than the previous three and creates a deeper understanding of her state of being. Even in childhood, Linnet was alone. Even

Mavis Gallant’s “Voices Lost in Snow” (1976)2019-04-09T12:16:49-04:00
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