Paradoxically, the phenomenon in The Fever has a chilling effect on characters and readers alike. The girls fall to the ground, one after the next; they writhe and tensions rise but blood is chilled. Little Brown & Company, 2014 “As Deenie walked out, a coolness began to sink
Though each segment could be read as a standalone, each is So Much a Part of the Landscape that Polly Dugan's work is best read all-in-a-burst. Little Brown & Company, 2014 More trust is required on the reader's part than, say, with Carrie Snyder's more prominently linked The Juliet
Inherently uncomfortable. Essentially intimate. The relationship between dentist and patient is complex, contradictory. Little Brown & Company, 2014 Most of us view that relationship from the perspective of patient, so Paul O'Rourke's voice has the potential to be illuminating, unique, fresh. In earlier works, Joshua Ferris has vividly inhabited
As an only child, my fascination with large families in fiction stretches back to the Marches, the Moffats and the All-of-a-Kinds. More recently, Jennifer Close's The Smart One and Jami Attenberg's The Middlesteins catapulted me into chaotic family-soaked gatherings (the latter was one of my favourite reads in 2013). Grand Central Publishing, Hachette Book Group,
Who is Agnes? Little, Brown and Company, 2013 "Criminal. The word hangs in the air. Heavy, unmoved by the bluster of the wind. I want to shake my head. That word does not belong to me, I want to say. It doesn’t fit me or who I am.
