Mavis Gallant’s “From Cloud to Cloud” (1985)

2020-04-21T10:00:32-04:00

Having published one hundred and sixteen stories in The New Yorker, Mavis Gallant’s regular readers would have had to wait from April 15 until July 8 in 1985, to learn how life has been for the Carette sisters. The story opens like this: “The family’s experience of Raymond was

Mavis Gallant’s “From Cloud to Cloud” (1985)2020-04-21T10:00:32-04:00

How I Met Colette #1920Club

2020-04-13T15:58:30-04:00

Shortly after I was old enough to peruse the magazines and newspapers that came to the houses of older family members, I discovered the wonders of the Columbia House Record Company and the Quality Paperback Bookclub via their advertisements. Both of these catalogue businesses offered tantalizing deals to new

How I Met Colette #1920Club2020-04-13T15:58:30-04:00

Mavis Gallant’s “Good Deed” (1969)

2020-02-05T16:05:30-05:00

As a sharp observer and as a chronicler of wartime and revolutionary foment, there are a lot of good and serious reasons to read Mavis Gallant: she is also wickedly funny. The humour in this story’s title is only accessible to readers after we have finished reading. But nevermind,

Mavis Gallant’s “Good Deed” (1969)2020-02-05T16:05:30-05:00

Quarterly Stories: Winter 2019

2020-03-11T13:47:16-04:00

Borra, Gallant, Gospodinov, Rogers and Tomine Short Stories in October, November and December Whether in a dedicated collection or a magazine, these stories capture a variety of reading moods. This quarter, I returned to a favourite writer and also explored four new-to-me story writers. (I've read

Quarterly Stories: Winter 20192020-03-11T13:47:16-04:00

Mavis Gallant’s “The Statues Taken Down” (1965)

2019-12-24T08:18:22-05:00

Readers never meet her directly, but we are told that she looks like the Holbein portrait of Lady Barker. (Here shown in such a way that it’s easy to imagine a wallet photo.) This is the mother of Hal and Dorothy. Once George Crawley’s wife. On the surface, this

Mavis Gallant’s “The Statues Taken Down” (1965)2019-12-24T08:18:22-05:00
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