Mavis Gallant’s “The Statues Taken Down” (1965)

2019-12-24T08:18:22-05:00

Readers never meet her directly, but we are told that she looks like the Holbein portrait of Lady Barker. (Here shown in such a way that it’s easy to imagine a wallet photo.) This is the mother of Hal and Dorothy. Once George Crawley’s wife. On the surface, this

Mavis Gallant’s “The Statues Taken Down” (1965)2019-12-24T08:18:22-05:00

Mavis Gallant’s “The Hunter’s Waking Thoughts”

2019-12-10T16:00:23-05:00

At first glance, I think that Digby, from the previous story “A Question of Disposal”, is a world apart from Colin Graves in this story. Consider how Digby’s mother, Mrs. Glover, imagines him, carrying on after her death. She isn’t particularly complimentary: “He would continue driving about in hairy

Mavis Gallant’s “The Hunter’s Waking Thoughts”2019-12-10T16:00:23-05:00

Shadow Giller: Steven Price’s Lampedusa (2019)

2021-01-19T12:46:48-05:00

There is a line in Steven Price’s 2016 novel, By Gaslight, which seems to suit his new novel generally: “Everything is about the dead.” And another which seems even more appropriate: “The truth that is found in a story is a different kind of truth, but it is not

Shadow Giller: Steven Price’s Lampedusa (2019)2021-01-19T12:46:48-05:00

Shadow Giller: Ian Williams’ Reproduction (2019)

2019-10-21T13:49:25-04:00

Ian Williams landed in my stack with his longlisting for the ReLit Award in 2011. This is why I read prizelists: they encourage me to read in different directions, when left to my own devices, I sometimes plod along, in familiar reading territory, simply out of habit. The title

Shadow Giller: Ian Williams’ Reproduction (2019)2019-10-21T13:49:25-04:00
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