In the generation before my own, Newfoundland became a province in the nation currently called Canada. It’s about 3,000 km away from me, but it feels like a world apart. For me, as a reader, Michael Crummey’s The Innocents (2019) makes it seem both farther away and closer. Historical
Kaplan, McKay, Puntí, Rosenfarb and Shapton Short Stories in July, August, and September Whether in a dedicated collection or a magazine, these stories capture a variety of reading moods. This quarter, I returned to two favourite writers and also explored three new-to-me story writers.
In which there is talk of the slim stories which have travelled with me within the city. While bulkier volumes stayed home. Like Robertson Davies' Murther and Walking Spirits (1991). And Nazanine Hozar's Aria (2019). These are awkward travelling companions: thick and heavy But some of the skinnies in
The title of Pasha Malla’s 2015 article in The New Yorker’s Page-Turner says it all: “Too Different and Too Familiar: The Challenge of French-Canadian Literature.” Because it is a challenge to locate French-Canadian literature within the landscape of Canadian Literature, even for those of us who devote a significant
A single-sitting read, a summer road-trip, and Sesame Street: good reading. Margriet De Moor’s Sleepless Night (1989; Trans. David Doherty 2019) “Sleepless night succeeded sleepless night – agonized day followed agonized day.” This, from L.M. Montgomery’s 1918 journal, came to mind when I was reading Margriet De Moor’s Sleepless Night
