Mavis Gallant’s “August”

2020-08-17T17:41:02-04:00

“August” picks up the thread from 1959’s “Travellers Must Be Content” (a story which was also collected in The Cost of Living/Going Ashore). Just as time has passed between publications, time has passed for Bonnie and her daughter, Flor, too. The stories read like bookends, all-of-a-piece, but occupying

Mavis Gallant’s “August”2020-08-17T17:41:02-04:00

Mavis Gallant’s “Mlle. Dias de Corta”

2020-06-01T19:46:20-04:00

When Robert’s mother observes Alda’s signature and recognizes the pride and secrecy in its long loops and closed As, I think about the handwriting course that Mme Brounet took in Dédé. But I also think of Mavis Gallant writing long-hand and the hours she spent studying her own cursive

Mavis Gallant’s “Mlle. Dias de Corta”2020-06-01T19:46:20-04:00

Mavis Gallant’s “A State of Affairs”

2020-06-01T20:09:43-04:00

If Forain was reading this story, the one which follows the story about him, in Mavis Gallant’s ninth collection, he would be so disappointed to hear that M. Wroblewski can’t find a thing to read in Paris. “There are no books worth reading—nothing but pornography and translated Western trash.”

Mavis Gallant’s “A State of Affairs”2020-06-01T20:09:43-04:00

Here and Elsewhere: Paris

2020-06-02T08:13:47-04:00

Although it was a challenge to find Kyoto within these four walls (without access to the public library, still in lockdown), it was easy to find Paris for May’s Here and Elsewhere. And if my calendar image looks familiar, it’s because a photograph of the same scene has frequently

Here and Elsewhere: Paris2020-06-02T08:13:47-04:00
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