Last week, there was talk of Cree poet Billy-Ray Belcourt, an illustrated book by Spokane-Coeur d'Alene writer Sherman Alexie, and the anthology This Place: 150 Years Retold showcasing a variety of Indigenous storytellers and artists. Now: a novel, a book of creation stories, a children’s book, and a memoir
Here’s a glimpse of some recent reads which lend themselves more to sampling, in a handful of reading sessions, than gobbling in longer periods of time. Not the books which require a sink-into-your-seat focus, rather the ones which afford the opportunity to window-gaze between pages or single-sitting reads. Like
I’ve been following a thread through this year’s reading for the past four days, from Roe to Revolution, Revolution to Secrecy, Secrecy to Corruption, Corruption to Colonialism, and now, linking from one fiction about labour and status to another, moving from Colonialism to Corrosion. Did you guess from yesterday’s
Picking up yesterday's thread, the balance in Seçkin’s novel sways toward the personal, whereas the political scene in Alaa Al-Aswany’s The Republic of False Truths (2021) is more prominent, despite all the attention paid to characterization—a network that grows increasingly complex as readers turn the pages. (And there’s at
Last year, I was inspired by a local artist’s desk calendar to explore a series of cities in my reading. This year I’ve been exploring migration and lives in motion: often involuntary, frequently devastating, sometimes inspiring. This sense of between-ness reminds me of this passage in a 2021 debut
