A single-sitting read, a summer road-trip, and Sesame Street: good reading. Margriet De Moor’s Sleepless Night (1989; Trans. David Doherty 2019) “Sleepless night succeeded sleepless night – agonized day followed agonized day.” This, from L.M. Montgomery’s 1918 journal, came to mind when I was reading Margriet De Moor’s Sleepless Night
At first glance, it seems as though who is more – or less – Canadian matters in this story. Because I am Canadian, I latch on to the idea of whether Douglas’ father is more “reticent” than his mother, whether he is “cautious and single-minded”, whether I myself exhibit any
In Short presents a 300-word and spoiler-free summary, intended to have a broad appeal; In Detail focuses on one aspect of the book which I found remarkable, which might interest those who have already read the book or those with an interest in the mechanics of writing; In Other
Fans of E.M. Delafield’s Provincial Lady’s diaries will find many chuckles in this very short excerpt from the imagined diary kept by composer Richard Wagner’s mistress (who became his wife seven years after their relationship began). The story is subtitled “More Sturm und Drang from Cosima Wagner’s Diaries” and
This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds
