When I was a girl, I walked the streets of New York City with Harriet the Spy. And I revisited it regularly via Betty Smith’s A Tree Grows in Brooklyn. From a young age, this was a city I recognized on the page, a place that felt real, a
Jean-Christophe Réhel’s Tatouine is every bit as remarkable as QC Fiction’s earlier offerings. Other QC Fiction titles are reviewed here (if you enjoy a wickedly operatic story), here (if you prefer to feel a little heart-broken for a long while), here (if you wonder what it would be like
Adam Wilson’s Sensation Machines (2020) is smart and disturbing, subversive and entertaining. It’s set in an eerily could-be-now New York City: “Headlines warned of rising sea levels and methane emissions. Chronicled the continuing barrage of Weinstein-esque behavior in politics and entertainment. Addressed the uptick in anti-immigration violence in the
There’s a shadow over Cherie Dimaline’s latest novel, Empire of Wild (2019). Part of it could appear in a history text: “In the church and at his Catholic day school, the priests called seven the age of reason. Moshom called it the age of learning how the hell to
