Curtis Sittenfeld's fiction often focusses on the question of a woman's identity, shifting and pulsing, whether from the perspective of a teenage girl or a president's wife (as in Prep and American Wife). Random House, 2013 When Daisy and Violet were little girls, twins, the sign on their bedroom
Before I began reading Bone and Bread, I read Mother Superior, Saleema Nawaz's debut, a collection of stories. House of Anansi, 2013 About "Bloodlines", I noted: "S keeps Khalsa (pure, according to Sikh law) and B does not, so B grows larger and S grows smaller, above a Montreal bagel
Jennifer Close has a reputation for having nailed the whole young-woman's-coming-of-age thing in her first novel, Girls in White Dresses. And that, with the image of a young woman on the cover messing with the belt of her dress, brought Curtis Sittenfeld's Prep to my mind. Doubleday - Random
"There were two moons last August -- one that was almost full at the beginning when Mom was alive and our lives were normal, and then a big full cheater moon at the end, one that looked down so beautifully on the world when everything was awful and changed and
"If we’re lucky, art can help us through our wolfishness."* And it does, indeed, help Virginia get through her wolfishness. As does her sister, Vanessa. And the painting of Bloomsberry. What's this? A children's book about Virginia Woolf? But we all know how THAT story ends. And, yet,
