“Meneseteung” Alice Munro

2014-07-11T17:17:27-04:00

Some writers might take a book to do it. Carol Shields did, in Swann. Timothy Findley did, in The Wars. 1990; Penguin, 1991 Alice Munro takes a short story to build a life from fragments left behind. In this case, in "Meneseteung", the fragments are culled from a

“Meneseteung” Alice Munro2014-07-11T17:17:27-04:00

“Five Points” Alice Munro

2014-07-11T17:17:37-04:00

As with "Friend of My Youth", the bulk of "Five Points" concerns a story told by one of the characters, Neil, who is speaking of events from his past, when he was a boy in British Columbia. 1990; Penguin, 1991 In both stories, the story rooted in Neil's

“Five Points” Alice Munro2014-07-11T17:17:37-04:00

“Friend of My Youth” Alice Munro

2014-07-11T17:17:48-04:00

The title story of this collection begins with talk of an act being "too transparent in its hopefulness, too easy in its forgiveness". 1990; Penguin, 1991 On first reading, this seems a straightforward observation about the narrator's relationship with her mother. She has been dreaming of her mother

“Friend of My Youth” Alice Munro2014-07-11T17:17:48-04:00

“Dear Life” Alice Munro

2014-03-20T19:54:50-04:00

This the last of four stories published at the end of Dear Life under Finale, four works that are "not quite stories" but, rather, works "autobiographical in feeling, though not, sometimes, entirely so in fact. I believe they are the first and last -- and the closest -- things I

“Dear Life” Alice Munro2014-03-20T19:54:50-04:00

“Voices” Alice Munro

2014-03-20T19:55:10-04:00

Among the "first and last -- and the closest -- things I have to say about my own life", "Voices" is one of four stories in Finale, published at the end of Dear Life as "not quite stories", part of a "separate unit, one that is autobiographical in feeling, though not,

“Voices” Alice Munro2014-03-20T19:55:10-04:00
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