The 1619 Project (Edited by Nikole Hannah-Jones, Caitlin Roper, Ilena Silverman, and Jake Silverstein) opens with an epigraph from Langston Hughes, his poem “American Heartbreak 1619”: I am the American heartbreak-- The rock on which freedom Stumped its toe-- The great mistake That Jamestown made Long ago He’s such
The more time I’ve spent reading about slavery this year, the more often I’ve discovered references to it in unexpected places. (Looking to catch up? Here are all the links to the previous posts this year.) For instance, in Fred D’Aguiar’s memoir Year of Plagues (2021): “When I think
Yesterday, in the wake of the librarians’ shushing, some might have taken advantage of the ensuing silence for a nap. Now, yawning ourselves awake, we can resume our chat about the overlap between fiction and non-fiction, in sprawling and slightly chaotic stacks and shelves. In the opening story of
This year I’ve been reading more non-fiction than usual. It’s not that I’ve been trying, it’s only that I’ve allowed my curiosity to access my holds queue. When I have questions after I’ve finished a novel, I’ve allowed myself to wander more than usual. It’s created an interesting rhythm
After just a few pages, I knew I was going to love Mateo Ashkaripour’s Black Buck (2021): smart, funny, relevant, incisive. A few chapters in, Buck says: “I should’ve known from the Middle Passage to never trust a white man who says ‘Take a seat.’ It could be your
