For ReadIndies this year, hosted by Kaggsy, I’ve written about presses from Minneapolis Minnesota, during the democratic crisis unfolding in the United States: Graywolf Press | Coffee House Press | Rain Taxi Magazine. (I should have included Milkweed Editions there!) Presses that push the boundaries and invite readers to
Perhaps independent presses are most vital in their willingness to confront, to engage with ideas and possibilities that make readers uncomfortable. Consider Mélikah Abdelmoumen’s book about reading James Baldwin and William Styron, which opens with this epigraph from Raoul Peck’s J’étouffe: “Forgive me in advance,
Two young women in Jazmina Barrera’s novel Cross Stitch (2021; Trans. Christina MacSweeney) find a list of the books their friend had planned to read and the copies of them she had gathered, after she has died. They “divvy up the books and tear the reading list in two.
Ipellie, Lindberg, and Saona Short Stories in October, November and December Whether in a dedicated collection or a magazine, short stories captureand create a variety of reading moods. This quarter, I returned to one favourite writer and also explored two new-to-me story writers.
Just when my thoughts were etching a loop as I struggled to describe Madeleine Thien’s new novel, The Book of Records, I came across this Joy Williams quotation*: “What good stories deal with is the horror and incomprehensibility of time, the dark encroachment of old catastrophes.” That is, indeed,
