The second book published in the series naturally focuses on Alayne, who was introduced as an independent young woman, who left her New York publishing career behind when she fell in love with one of the Whiteoak boys, in the series’ first volume, Jalna (published in 1927). Viewing the
This post is published to coincide with the anniversary of the author’s death. She died in her home in Toronto on July 12, 1961, where she had written the final Jalna book, Centenary at Jalna. Even though I deliberately chose a story-order reading, over a publication-order
Event hosted by Kaggsy's Ramblings Stuck in a Book #1977Club So much good women's fiction from 1977, from Margaret Atwood's Dancing Girls to Marilyn French's The Women's Room. But I reread Carol Shields' Unless last year and I wanted to reread another of hers. Enter, The
In which there is talk of the slim stories which have travelled with me within the city, while bulkier volumes stayed home. Charles Dickens' Bleak House and John Ajvide Lindqvist's Harbor (Translated by Marlaine Delargy) are awkward travelling companions. As are some of the skinnies in my current stack,
The widow has let her hair go. It is half mahogany and half dull grey. Not only grey, but dull grey. Paola and Renata's listening that summer One has the sense that being a widow might have brought this about. The simple act of inhabiting widowhood. But that
