In which I read two books with #NovNov in mind, hosted by Rebecca and Cathy: one novella that feels like an expanded short story, and the other that swells with links of main character and themes across three segments. First published in Rio de Janeiro’s newspaper from 1881-1882 and
Who? Where? “We love books. Literature matters because words lets us explore and share the best of what we think, and who we can be. Good fiction, nonfiction, and poetry grow our knowledge and imagination, take us into new lives, and illuminate truths we never knew.” (Website) Operating in the
Who? Where? “Baraka Books is a Québec-based English-language book publisher specializing in creative and political non-fiction, history and historical fiction, and fiction. Our belief is that books are a haven of freedom and that they remain the foremost vector for change.” (About Us) "Les livres Baraka est une maison
Dirty Work by Eyal Press (2021) landed in my stack following an interview with the New York Times Book Review editor. Its subtitle—Essential Jobs and the Hidden Toll of Inequality in America—summarizes the content aptly, but doesn’t express how un-put-down-able I found this book. Most of the time, when
Last week, I wrote about learning that Margaret Atwood has been a long-time supporter and admirer of Thomas King’s writing, a writer I’ve enjoyed reading for a couple of decades. And I teased that this week I’d be writing about someone whose books likely wouldn’t have landed in my
